Atonement can’t fully make the leap from page to stage

Ian McEwan’s Atonement opens with an epigraph from Jane Austen’s Northanger Abbey rebuking heroine Catherine Morland for her “suspicions” of “atrocities” fueled by fervid consumption of Gothic novels. Published posthumously in 1817 with Persuasion, Northanger Abbey was Austen’s first completed novel, written when she was in her early 20s. Atonement, published in 2001, tells the […] The post Atonement can’t fully make the leap from page to stage appeared first on Chicago Reader.

Oct 21, 2024 - 15:36
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Atonement can’t fully make the leap from page to stage
Nine dancers onstage. A man is seated in a chair left. A woman in a long 1930s-style purple evening dress stands near center, with a younger woman in a white ballet dress leaning in on her. The rest are either seated or moving about. The backdrop shows an elegant Georgian country home.

Ian McEwan’s Atonement opens with an epigraph from Jane Austen’s Northanger Abbey rebuking heroine Catherine Morland for her “suspicions” of “atrocities” fueled by fervid consumption of Gothic novels. Published posthumously in 1817 with Persuasion, Northanger Abbey was Austen’s first completed novel, written when she was in her early 20s. Atonement, published in 2001, tells the […]

The post Atonement can’t fully make the leap from page to stage appeared first on Chicago Reader.

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